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Ryan Bingham - Del McCoury Band 50/50 - Tom Paxton - Tom Rush - Todd Snider: - John Prine and Mac Wiseman - Johnny Cash - Iris DeMent - Riders In The Sky - Charley Pride - Naomi Sommers - Steep Canyon Rangers - Pine Mountain Railroad - B.B. King - Blue Jay Patten - Billy Preston - Issac Hayes - Bill Miller - Phil Lee - Ron Sexsmith - Hotwater Music - Francis Dunnery - Mike Henderson - Waylon Jennings - Billy Pilgrim - Bryan Sutton - Tom T. Hall - John Hartford - Laura Boosinger - Cluster Pluckers - Will Maring - Paul Zarzyski - Cracker Barrel - Stuart Duncan - Pat Mclaughlin - Jesse McReynolds - Happy Land (Songs Of Laura Ingalls) - Gove Scrivenor - Jimmy Steffan - - The Gordons - Roland White Band - Jessie McReynolds - Red Terrier - Kieran Kane - Wayland Patton - Cowboy Hymns and Prayers - Waddie Mitchell - Nathan Clark George - Mark Stoffel - Kelly Zullo - Mcgee Pragnell Band - Dave Olney - Stevie Dan Bower - Cowboy Jack Clement - The Bluegrass Evises - Kevin Lucas Orchestra - The Arkansas Traveler - Dick Hill

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I can give you a CD that has a full 16 bit dynamic range. Many CDs only end up with 10 bits of resolution. I adjust volumes, EQ, and compression, so all the songs match. The CD volume will be competitive, without destroying the dynamic range. Elevated levels can reduced CDs to mp3 dynamic range and quality. Cd sales are down because of sound quality. People can't hear the difference from a CD and an mp3. I will do my best to make your CD sound great.

 

              

Nashville - 615-297-3929
david k shipley - owner


CD Mastering for CD Production

CD Mastering and Mixing Facts

Dynamic range is a measurement from the softest section, to the loudest. It is measured in decibels. The CD redbook standard of 16 bits allows a dynamic range of 96 db. (there are 6 db’s per bit)
When you maximize a CD, you reduce the dynamic range.

In digital recording, there is nothing above 0. When you go above 0, you are just throwing away that information, and dynamic range.

Everyone wants their CD to be louder. In the last two years, the Grammy committee said they couldn't’ find a CD that sounded good enough to be awarded best engineered album. We have been guilty at times of doing the same thing, however, we are trying to be more conservative with levels. If you want your CD to be louder, then turn up the amplifier. If you find a CD that is really loud, and sounds good, it would sound even better with more dynamic range.


 

2908 Berryhill Drive, Nashville, Tennessee 37204
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